Section Ⅱ Use of English
Directions:
Read the following text.Choose the best word(s) for each numbered blank and mark A, B, C or D on ANSWER SHEET 1.( 10 points )
It is acknowledged that the modern musical show is Americas most original and dynamic contribution toward theater. In the last quarter of a century, America has produced large 1 of musical plays that have been popular abroad 2 at home. 3, it is very difficult to explain 4 is new or 5 American about them, for the 6 are centuries old.
Perhaps the uniqueness of Americas contribution to the 7 can best be characterized through brief descriptions of several of the most important and bestknown musicals. One of these is surely Oklahoma by Richard Rogers and Oscar Hamerstein. It burst 8 popularity in 1943. Broadway audience and critics were 9 by its 10, vitality and excitement. This “new” type of musical was 11 as kind of 12 theater in which the play, the music and lyrics, the dancing, and the scenic background were assembled not merely to provide entertainment and 13, but to 14 in a single unifying whole to contribute to its unique feature. 15, it meant that the songs and dances should 16 naturally out of the situations of the story and play an important part in carrying the action 17. In Oklahoma, an American folkdance style was organically combined with classical ballet and modern dance. It is right to say that the musical was a brilliantly integrated performance by the talented dancers and singing actors.
Oklahoma also marked a new 18 in the choice of story on which a musical is based. Writers and composers began to abandon the sentimentally picturesque or aristocratic setting 19 more realistic stories in authentic social and cultural 20. Oklahoma was based on a “folk” whose story dealt not only with young love but also with the opening of the American West.
1Anumber Bamount Cquantity Dnumbers
2Abetter than Binstead of Cas well as Drather than
3ATherefore BYet CMoreover DThus
4Awhich Bthat Cwhat Dhow
5Acharacteristically Bparticularly Cmainly Dexactly
6Afactors Bingredients Ccomposers Dfacts
7Atrait Bfeature Cgenre Dstyle
8Awith Binto Cout into Din
9Astruck Btouched Cmoved Dhit
10Avivacity Boriginality Ccreativity Ddynamic
11Aconceived Bthought Cbelieved Dperceived
12Aspecial Bpeculiar Cgross Dtotal
13Avariety Bamusement Csundries Dfun
14Amix Bjoin Cput Dshare
15AIn other words BTo sum up CO(jiān)n the contrary DGenerally speaking
16Aarise Bderive Craise Doriginate
17AoutBon Cforward Dthrough
18Adirection Bway Cmethod Depoch
19AforBwith Cwithout Dexcept
20Acircumstances Bcontext Csituation Dsurroundings
Directions:
Read the following text.Choose the best word(s) for each numbered blank and mark A, B, C or D on ANSWER SHEET 1.( 10 points )
It is acknowledged that the modern musical show is Americas most original and dynamic contribution toward theater. In the last quarter of a century, America has produced large 1 of musical plays that have been popular abroad 2 at home. 3, it is very difficult to explain 4 is new or 5 American about them, for the 6 are centuries old.
Perhaps the uniqueness of Americas contribution to the 7 can best be characterized through brief descriptions of several of the most important and bestknown musicals. One of these is surely Oklahoma by Richard Rogers and Oscar Hamerstein. It burst 8 popularity in 1943. Broadway audience and critics were 9 by its 10, vitality and excitement. This “new” type of musical was 11 as kind of 12 theater in which the play, the music and lyrics, the dancing, and the scenic background were assembled not merely to provide entertainment and 13, but to 14 in a single unifying whole to contribute to its unique feature. 15, it meant that the songs and dances should 16 naturally out of the situations of the story and play an important part in carrying the action 17. In Oklahoma, an American folkdance style was organically combined with classical ballet and modern dance. It is right to say that the musical was a brilliantly integrated performance by the talented dancers and singing actors.
Oklahoma also marked a new 18 in the choice of story on which a musical is based. Writers and composers began to abandon the sentimentally picturesque or aristocratic setting 19 more realistic stories in authentic social and cultural 20. Oklahoma was based on a “folk” whose story dealt not only with young love but also with the opening of the American West.
1Anumber Bamount Cquantity Dnumbers
2Abetter than Binstead of Cas well as Drather than
3ATherefore BYet CMoreover DThus
4Awhich Bthat Cwhat Dhow
5Acharacteristically Bparticularly Cmainly Dexactly
6Afactors Bingredients Ccomposers Dfacts
7Atrait Bfeature Cgenre Dstyle
8Awith Binto Cout into Din
9Astruck Btouched Cmoved Dhit
10Avivacity Boriginality Ccreativity Ddynamic
11Aconceived Bthought Cbelieved Dperceived
12Aspecial Bpeculiar Cgross Dtotal
13Avariety Bamusement Csundries Dfun
14Amix Bjoin Cput Dshare
15AIn other words BTo sum up CO(jiān)n the contrary DGenerally speaking
16Aarise Bderive Craise Doriginate
17AoutBon Cforward Dthrough
18Adirection Bway Cmethod Depoch
19AforBwith Cwithout Dexcept
20Acircumstances Bcontext Csituation Dsurroundings

