Number 9. Let the Right One In
Speaking of debuts, Tomas Alfredson made one of the best of the year with his riveting tale of vampire in love, Let the Right One In. I mistakenly gave the film only three-and-a-half “bones” the first time I saw it. Watching it again and letting it sink in from the first viewing, it deserves four. One of the things that struck me most both times I saw Let the Right One In is the way Alfredson and his cinematographer turn their snow-covered setting into a character in their brilliant blend of adolescence and blood-lust. Who's more emotionally isolated than the awkward pre-teen? The awkward, pre-teen vampire who literally can't be close to anyone. And the isolation of puberty is amplified by a cold, snow-covered setting that forces everyone indoors. Oskar is drawn to Eli partially because she's the only other child on the playground. Their love story is one of the best of the year, a beautiful tale of how much we are willing to forgive to keep the one person （or vampire） who has ever loved us close.
Speaking of debuts, Tomas Alfredson made one of the best of the year with his riveting tale of vampire in love, Let the Right One In. I mistakenly gave the film only three-and-a-half “bones” the first time I saw it. Watching it again and letting it sink in from the first viewing, it deserves four. One of the things that struck me most both times I saw Let the Right One In is the way Alfredson and his cinematographer turn their snow-covered setting into a character in their brilliant blend of adolescence and blood-lust. Who's more emotionally isolated than the awkward pre-teen? The awkward, pre-teen vampire who literally can't be close to anyone. And the isolation of puberty is amplified by a cold, snow-covered setting that forces everyone indoors. Oskar is drawn to Eli partially because she's the only other child on the playground. Their love story is one of the best of the year, a beautiful tale of how much we are willing to forgive to keep the one person （or vampire） who has ever loved us close.